Meet the artist: Friday, September 19, 6 - 8 PM
Opening reception: Saturday, September 20, 2 - 4 PM
Ambient Grammar explores the subtle, often overlooked systems that shape our perception of the world — visual grammars that operate not through text or speech, but through light, atmosphere, surface, and digital mediation. This body of work investigates how meaning forms in the spaces between: between image and interface, presence and memory, the natural and the simulated.
Ambient Grammar traces a visual language that hovers between the atmospheric and the constructed — a grammar shaped not by words, but by gradients, textures, edges, and colour. Working across analogue methods such as brushwork, airbrush, and squeegee alongside a research-driven collage process, I explore how perception is mediated in the contemporary landscape: both natural and digital, lived and simulated.
This body of work engages with the quiet structures that organize how we see and feel — like the invisible architecture of interfaces, the ambient drift of light across a landscape or screen, or the fading memory of a place re-encountered through image making technologies. Here, landscape is not merely observed, but parsed: broken down into tonal fragments, reconstructed through painterly gestures, and suffused with the logic of painting.
